Portraiture Photography | Andrew Peach
Tuesday, 26th October 2010 1 Comment
The photographs that are featured in today’s photography blog post were taken during a recent short visit to Bangor. One of my friends whom I had met through the Bangor University Photography Society asked if I could take some portraits of him. I agreed thinking that it would be a fun project , and it was.
We started the shoot at 3 o’clock and proceeded to traverse up the steep side of Bangor Mountain. Which was a lot steeper that I thought it would be. Once we had reached the top, welcomed by a clear day and a wonderful view of Bangor, Andrew and I talked about the kind of photographs that he was after. What he wanted me to try to achieve with a few of the shots was to have a clear view of Bangor that was below us. And seeming that it was such a nice bright day I was able to do just that. Though it meant going against certain standards of portraiture photography to get the shot we were after.
Most portraiture is taken at a wide aperture, say for instance f1.8. Doing this ensures a low depth of field meaning that only the subject would be in focus and it also gives you a blurry background which draws more attention to the subject. But in this shoot the background was to be included so I took the shots at a range of apertures between f11 and f32. The only problem is photographing at these apertures lowers the amount of light getting through the lens and onto the film or sensor [depending on the type of camera that you are using] and that is why I was grateful that is was such a bright day. This meant that although there wasn’t much light getting through the lens itself, it was still bright enough outside to achieve fast shutter speeds.
For this shoot I used a combination of three lenses. I used my Canon EF 28mm f1.8 lens, my Canon EF 50mm f1.8 and I also borrowed Andrews Tamron 17-50 f2.8 Canon Fit Lens. On the Canon 50mm and the Tamron 17-50mm I had a Circular Polarising lens on the front. A polarising filter is typically a screw on or slot in filter placed in front of the lens. When the filter is screwed in, it can be rotated to create different effects. It does this by allowing you to choose what light gets through to the film/sensor. The main effects that can be produced with a polarising filter is the ability to increase or decrease reflections and to darken the sky which is very handy if you wish to retain cloud detail. If you wish to know more feel free to check out this Wikipedia article on Circular Polariser filter.
Wikipedia Article On Circular Polariser
Filters, How They Work And Their Application
If you looked at my previous post that should some of my recent wedding photography you would have seen me put two or three images together to create a new and interesting compostition. I have done that before on a wedding post this blog and have placed a few links below to show where those posts are
Wedding Photography | Lucy And Martin Gunn
Date Posted: Friday, 22nd October 2010
Wedding Photography | Emma And Liam Jackson
Date Posted: Tuesday, 20th July 2010
But I haven’t done so on a portraiture blog post [as I am currently aware of] so I thought I would experiment with it.
All the photographs in this post were taken on my Canon EOS 50D and using the lenses mentioned in the paragraphs above. I had a fun time taking these photographs and I tried to experiment with getting lens flares whilst photographing directly into the sun using apertures between f11 and f32. For those shots I used some fill in flash in order to make sure that Andrew was also exposed correctly in the shot and it worked pretty well in my opinion. I was also was happy to hear that Andrew was happy with the images also. In this post I have included 15 images. Enjoy.


























































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